Mateusz Tarwacki – Medium

Mateusz Tarwacki

Life of an Artist, Figures in Sand and The Art of Food | Zawieszony.pl

Man in the Field — releasing in Theaters and on VOD on September 24th

Sep 20, 2021

Life of an Artist, Figures in Sand and The Art of Food | Zawieszony.pl

Sep 20, 2021

No one builds brick houses anymore

Iranian filmmakers love two things in particular: neorealism and metafictionality. Social issues, using the documentary style, working with…

Aug 25, 2021

No one builds brick houses anymore

Aug 25, 2021

New VR Strategies in the Far Eastern Cinema

There is no doubt that VR has opened new avenues for apologists for immersive interactivity in the cinema. The film diegesis opens up to…

Nov 30, 2020

New VR Strategies in the Far Eastern Cinema

Nov 30, 2020

NH20: Between Melancholy and Anamnesis

“The Metamorphosis of Birds” is like a time capsule sent into space, like a condensed record of human experiences. It is like a “saudade”…

Nov 16, 2020

NH20: Between Melancholy and Anamnesis

Nov 16, 2020

NH20: Drowning by the Images

The uniqueness of Purple Sea lies in the fact that it is in an absolute opposition to the production system and the domination of…

Nov 8, 2020

NH20: Drowning by the Images

Nov 8, 2020

We Are All Introverts

Regardless of the answer, I’m Thinking of Ending Things can no doubt be called Kaufman’s solipsistic fantasy…

Sep 16, 2020

Sep 16, 2020

Temples of Consumption

Beautiful Things by Giorgio Ferrero and Federico Biasina cannot be watched like a regular movie. One participates in it — as in a ritual…

Jun 6, 2020

Temples of Consumption

Jun 6, 2020

Young Angry From Mexico

Beyond the Mountain, the feature debut of the Mexican director, David R. Romay, is a film that surprises with its simplicity and skillful…

Jun 5, 2020

Jun 5, 2020

There Is Evil

The winner of the main competition at this year’s festival in Berlin, There Is No Evil by Mohammad Rasoulof, combines what is…

Jun 1, 2020

There Is Evil

Jun 1, 2020

Credibility burnt in power plant

Less than a month ago, Michael Moore, a well-known American left-wing documentary filmmaker, published on his YouTube channel the new…

May 25, 2020

Credibility burnt in power plant

May 25, 2020

Coronavirus — Let’s Dance The Satan’s Tango

The outbreak of the coronavirus pandemic is undoubtedly a historical event — unprecedented on such a large scale in the modern world. It…

Mar 18, 2020

Coronavirus — Let’s Dance The Satan’s Tango

Mar 18, 2020

“Woman”: Many Faces, Single Face

Woman by Anastasia Mikova, Ukrainian film director and journalist, and French director and photographer Yann Arhus-Bertrand, is a laurel…

Mar 12, 2020

“Woman”: Many Faces, Single Face

Mar 12, 2020

“Dogs 3 — how the Polish understanding of masculinity changed since the first…

If we treated the title of Władysław Pasikowski’s most famous, cult production as something more than just an epithet quite literally…

Jan 25, 2020

“Dogs 3 — how the Polish understanding of masculinity changed since the first…

Jan 25, 2020

Somewhere between reasonable and crazy — “Marriage Story” review

“Marriage Story” is an educational film, because it tells about emotional immaturity, lack of communication skills in the relationship (…)

Dec 10, 2019

Somewhere between reasonable and crazy — “Marriage Story” review

Dec 10, 2019

Border places — “The Lighthouse” review

One of the best-rated directors of the A24 stable creates this horror pulp with great awareness — it’s not only a mix of contexts, but also

Dec 4, 2019

Border places — “The Lighthouse” review

Dec 4, 2019

Mummification or rejuvenation? “The Irishman” review

In the movie, the “de-aging” technology was used on actors for the first time (with such a momentum) in history of the cinema…

Dec 2, 2019

Mummification or rejuvenation? “The Irishman” review

Dec 2, 2019

Free Market, Enslaved People

Sorry We Missed You is another Ken Loach’s film in which the director plays on emotional strings. It is a song (or rather a lament, a cry…

Nov 22, 2019

Free Market, Enslaved People

Nov 22, 2019

Every Balloon Must Burst — Pema Tseden’s “Balloon” review

After two purely neomodernist road movies ( Tharlo from 2015 and Jinpa from 2018), Pema Tseden postpones the subject of a lonely, rejected…

Nov 21, 2019

Every Balloon Must Burst — Pema Tseden’s “Balloon” review

Nov 21, 2019

Nothing But Singing: Rima Das’ “Bulbul Can Sing” review

Rima Das is a rare example of an artist who creates her films almost completely alone (…)

Nov 20, 2019

Nothing But Singing: Rima Das’ “Bulbul Can Sing” review

Nov 20, 2019

#metoo in giallo style

Nina Wu is a film that tells about the experience of being an aspiring, developing film actress. The script was written by the starring Wu…

Nov 15, 2019

#metoo in giallo style

Nov 15, 2019

Mateusz Tarwacki

Mateusz Tarwacki

Born 1993. Film critic, holds MA from University of Warsaw. He’s interested in neomodernist, socially engaged and female cinema. Writes a blog: zawieszony.pl/en

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